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[Notes from The Student, Part 2]

Can I just say, I have a new-found respect for Education Majors?

And teachers.

And anyone who is good at planning, being creative, organizing, and then ACTUALLY EXECUTING SAID PLAN.

Wow.

I just finished my second lesson plan (this one was for a listening lesson), and tomorrow is my first day teaching an ESL class. We’ll see how it goes. I tend to get sidetracked by their interesting stories.

For example:

Today, I “acted” as an ESL student because there was only one tried-and-true one (a Russian man, seemingly in his 70s or 80s, not sure…). So I got the privilege of discussing questions with him, answering multiple choice and true/false questions, and trying (overall) to be engaging.

But the thing is, I started talking to him, and I found out he used to fly planes in Russia.

He was a doctor on a helicopter that flew down to help people IN THE TUNDRA. Yes. The tundra.

I felt a little bit like I’d wandered into a novel.

I asked how long he’d worked there. Fourteen years, he said.

Then I asked if he liked it, and he smiled and just said, it was my job, and I was reminded, again that

we do what we are supposed to do

we do our jobs

we do the right thing

and we don’t always have to like it.

There is so much I could learn from this Russian man.

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[P.S. Power-outage in the city today. For blocks. Everyone freaked. Restaurants wouldn’t take cards; people didn’t know what to do with themselves. I was secretly in awe. There’s something I love about remembering that we depend on things, that there are some things out of our control. Like when a huge snowstorm stops life. It’s beautiful, kind of, to remember that we’re finite.]

 

 

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[Notes from The Student, part 1]

So it’s become pretty clear that I do not like instructions. You’d think that someone who likes to do something perfectly the first time would thrive off direction, but that doesn’t seem to be true.

For instance, this past week — five days of two, three-hour classes — has been filled with VERY PARTICULAR INSTRUCTIONS. On everything. I wrote my first lesson plan (I almost said my first ever lesson plan, but that’s not true: I wrote some short, Catherine-suitable plans for vocal pedagogy in college), and I couldn’t believe how long it took.

Step-by-step?

I have to write down what I’m going to say?

Shouldn’t I already know what I’m going to say?

I felt like I was in elementary school, just learning how to write cursive and hating the extra curlicues and exactness.

I did it, though. I wrote out a five-page lesson plan, complete with about 15 glorious colored pictures and even a graph (thank goodness for little brothers who, with only minimal eye-rolling, show me how to insert cool stuff into documents).

I wrote it, freaked out because I have a huge and horrible tendency to lose my brain under stress and forget everything, and made a thousand copies so I could teach my first lesson to ESL students.

Real ones.

I rushed into class, ready, excited, nervous. Felt like I was about to sing an aria that I’d been singing all semester, but I was still scared of that run towards the end.

I rushed in, but the class was empty.

Somehow, there’d been a mix-up in administration, and the 7 or so elderly Russian immigrants didn’t know to come.

We waited a good fifteen minutes. Unlike my fellow students, I wanted the ESL students to come. Desperately. I LOVE adrenaline, and I perform best when I have a ton of it nearly shaking my knees out of joint.

But no one came. I had freaked and worried about being the worst teacher in my class and panicked over the copier for no reason.

Now my first lesson is this coming Wednesday.

The story of my life.

Intensity intensity INTENSITY

until the bubble bursts.

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Riding the Train

(So I started my TEFL class. More on that in another post.)

I stood up on the T today – it’s easier, really, to stand. I feel too small, too vulnerable, when I sit. Today I stood and held on to the rail, swaying a little with each stop.

I looked around and thought how strange it is to be in such close proximity with people I don’t know, people I will never actually meet. I will never meet them, but I could reach right out and touch them.

At the third stop, people poured in.

A man came and stood next to me, reached up and held onto the same railing.

His fingers grazed mine.

I never saw his face.

This isn’t the train I rode, but I kinda wish it were.

Cities and trains, subways and busy sidewalks. I don’t really understand that there is humanity all around me. Each person is as important as the other, but I will never know the stories.

I heard two people meeting for the first time; the girl had a cello on her back, and the middle-aged man claimed that he “used to be a professional cellist.” Before the next stop, the girl had invited him to a concert (“Are you free at 8:15 tonight?”), and it left me wondering if that’s how big stories start:

With a question that you almost didn’t ask.

. . .

I wonder if I’m the only one who’s watching. Maybe I’m the only one who wonders why the woman with shoulder-length gray hair, thick white nylons, and a knee-length purple skirt still takes the train. Still commutes in and out of the city. Still looks exhausted in the crusty blue train seats.

When I look at her, she turns and looks out the window, and I wonder who she’s going home to.

Too many thoughts for a train ride.

That’s the thing about the train: I come home quieter and more contemplative than when I left. I guess I lose my bubbly, excited self in the city.

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Brene Brown and Vulnerability

Thanks to Hilary for sharing this video.

I hate the word vulnerability.

I like Brene because she isn’t some milquetoast, weak, soft-talking woman.

She’s tough and honest and convicting and…vulnerable all at the same time.

Brene Brown on Vulnerability

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Slouching Towards Bethlehem

I finished Joan Didon’s Slouching Towards Bethlehem and I LOVE HER STILL. Or more, depending on how you look at it.

The preface begins with Didion’s explanation of the title: “This book is called Slouching Towards Bethlehem because for several years now certain lines from the Yeats poem…have reverberated in my inner ear as if they were surgically implanted there.”

I love the way she ties everything in, what she sees, smells, reads, talks about.

One of my favorite essays was the last, “Goodbye to All That.” Didion writes about her time in New York in the sixties, how little things like the smell of Henri Bendel jasmine soap or the perfume she wore transport her back to that place.

She talks about the changes New York wrought on her in a short time, how she wondered what happened to that old self:

I know now that almost everyone wonders something like that, sooner or later and no matter what he or she is doing, but one of the mixed blessings of being twenty and twenty-one and even twenty-three is the conviction that nothing like this, all evidence to the contrary notwithstanding, has ever happened to anyone before.

When I read this, I thought, No, I’m not like that. I mean, other people are, sure, but I know there’s nothing new. I know we are all the same.

And then I look at how I actually operate, and it seems like Didion knows me without having met me. I wish I were so levelheaded, so logical and able to weigh evidences, but it seems that the feeling of uniqueness is built into us.

Ha, what a contradiction.

I think Didion’s strength (or one of her strengths) lies in her ability to be honest but not whiney. Honest but without begging for pity. She is removed enough from her subject – her self – that she can bring the reader in with nods of agreement, of recognition. I felt this even with the memoirs of her darkest times, Blue Nights and The Year of Magical Thinking.

I like her because she gives a voice to so much of what I feel.

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After-Work Conversations

Last night I went out with my coworker (I actually hate that term. Makes it sound like I don’t really like her — we’re not friends — when we most certainly are.). We’d planned to go to one of our favorite pubs: dark, cozy, inexpensive, towny, the kind of place that doesn’t demand anything from you. It was closed, of course, and we had to run back to my car through the rain, cursing our lack of planning and horrible luck.

We headed to another small town to see if we could get in to a restaurant I knew, but just before we opened the door we saw the sign “Must have valid State I.D.” and we had to turn around with our heads hanging. K. is from out-of-state, and so again, we were thwarted.

Finally we ended up at a place neither of us had been. It didn’t have quite the same ease of the other pub, and it was terribly and perfectly suited to our passionate conversations of faith: what it means that Eve was created last and how wrong it seems to us that this is used to crown her as the “best of creation,” and how do we reconcile the fact that the Bible is inspired and yet heavily influenced by human culture and society? When I get out of work, I feel this release, like I MUST TALK ABOUT EVERYTHING NOW.  The Bruins game was on the five surrounding televisions, grown men yelling at the score, their graphic t-shirts stretched tight across their stomachs, and we sat at the corner of the bar, two suspiciously uninterested young women who seemed, probably, a little crazy.

I realized I’ve stopped caring what people think. Okay, that’s not entirely true. Or even most of the way true. But last night, I didn’t care that we didn’t fit in with the sports crowd. I didn’t care that we were talking about God and relationships and Calvinism and what it means to have a marriage that points to Christ. A year or two ago, I would’ve tried to keep my voice down. I would have made sure no one could hear how much I care about these things.

Now, I wasn’t up on the table screaming.

But I didn’t feel shame, either.

I feel more energized after talks like that than I do when I wake up in the morning.

I feel more ready to be excited about life.

This photo has absolutely nothing to do with my post, but I CAN’T WAIT FOR STRAWBERRIES.

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Singing in 2012

I haven’t really been able to sing at all this year.

Yeah, I sing in my church choir — go to the city Thursday nights for rehearsal, Sunday mornings for services — but that’s it.

Everything is tight and everything hurts and I know enough to know that’s not good.

Last fall when I was studying with a new teacher (I’d take the train in on Tuesdays, basking in the aloneness, in the lull of the train, in the beauty of the city in the fall), we both thought my technique must be getting worse. “You never did that before!” she said nervously as we both witnessed my jaw shaking uncontrollably.

And she was right, I never had that problem.

Maybe it’s my technique.

Maybe it’s because she scares me and I freak out.

Maybe it’s cause I’m mental.

All of those are valid reasons for these problems.

But it looks like it might be something more. Something physical.

I remember being in the practice room in college, looking in the mirror, and, after the thousandth time trying to sing a phrase, feeling tight and out of breath. I remember thinking something’s wrong with me. 

Something’s wrong.

But still, there is uncertainty. Surgery is scary, but only a little scarier than the idea of never singing again.

June can’t come quick enough, and yet even as it gets closer, I want to turn and run from it.

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The Dirty Life

Okay, I admit it: I definitely judge a book by its cover.

But even more than that: I judge a book by its title.

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I saw this book in the “Self-Sufficient” section of Barnes and Noble (forgive me, small independent bookstores! you are still my number-one!), and I bought it. I love the title, and no, I do not care that it was coined to catch people just like me, those of us who are easily amused. I went home immediately and started reading, getting engrossed in Kimball’s love story (Mark was just about to make a move!) when, to my horror, I found that the book was MISSING 30 PAGES!

You cannot imagine my anger.

There was no way I was going to read ahead, so I had to wait two days til I could get a new copy.

I am about 2/3 of the way done now, and I love it. Kimball is honest and I find that pretty refreshing; she doesn’t pretend that the love she and Mark have makes farming easy.

And she’s had her own mishaps with dumb mistakes.

There are a lot of moments in the book that I appreciate, but here are a few:

One of the gorgeous and highly annoying things about Mark’s personality is that, once he bites into an idea, he’ll worry it to death, exploring every possibility, expanding it to the point of absurdity and then shrinking it back down, molding it around different premises, and bending logic, when necessary, to cram it into a given situation. No matter what he is doing or saying or thinking, the idea is perking away in the background of his formidable brain, details accruing (57).

A farm is a form of expression, a physical manifestation of the inner life of its farmers. The farm will reveal who you are, whether you like it or not. That’s art (157).

I was in love with the work, too, despite its overabundance. The world had always seemed disturbingly chaotic to me, my choices too bewildering. I was fundamentally happier, I found, with my focus on the ground. For the first time, I could clearly see the connection between my actions and their consequences. I knew why I was doing what I was doing, and I believed in it (158).

The only annoying thing, then, is the fact that I was not the person to write this book.

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Day at the Beach

I wrote a post a few days ago. About sin and a book I read.

But I’m tired of writing about sad things. I’m tired of trying to make sense of all the sadness.

So that’s why I’m not going to publish that post, and instead, I’m going to talk about my day at the beach.

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It feels a little bit like the perfect job – babysitting – when I can take them to the beach all day, sit in the sun, and top it off with some yummy ice cream at the end.

It’s hard to remember, on days like this, that I’ll have to move on eventually.

The beauty in the day and the sun on my skin was amazing, and for that I am grateful.

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Unexpected Helpers

Today has been on and off rainy (thunder cracked at lunchtime and sent me and the boys I was watching back into the house — picnic aborted!!).

But after that shower died down, we headed in the truck to my house. I promised I’d show them the chicks in my room (yes, still in my room…don’t ask).

I removed the cover and held the baby over the box. His eyes lit up. I picked up a fuzzy yellow chick and held it up to the baby. He reached out, and I said “gentle” and he was. He was so gentle I couldn’t believe it, his tiny fingers barely grazing the soft down of the chick’s head. He looked at me, questioning, and then did it again.

Sweetness.

J. (he’s nearing 5 and curious) looked and asked questions.

“Where is their food?”

“How do you feed them?”

“Where are the eggs?”

That last one was my favorite.

After trying to explain that no, the chickens don’t eat the eggs, they lay them, we went outside to the hen house so I could show him. There, four eggs in a box, ready to eat.

Then, with J. fascinated and distracted by feeding the hens grass, I took the baby to my garden, plunked him down on the path, and started clearing away deadness from last year.

He looked around, pulling at dead grass, watching me as I moved around him. I brushed some dirt off the large flat stones, and he copied me, his tiny hand flashing across the ground.

And then he put that hand with a handful of dirt into his baby mouth and smiled.

(P.S. I made THE MOST AMAZING GRANOLA two days ago. Thank you very much.)