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Long Weekend Happiness

My four days off stretch before me – an eternity and the blink of an eye at the same time.

I woke up yesterday to the first snow. It had started the night before, and as we drove up out of the city (book club likes to hop all over the place, this week finding residence in a hilly city neighborhood), I watched the white flakes pelt the windows. I felt young, watching it snow, and later slipping along the sidewalk in my boots.

What I want to do with four days off:

  • READ. Like it’s my job. Finish Circling to the Center, make a dent in Tale of Two Cities, digest a little more Rilke, discover the four or five issues of ‘The Sun’ my writer friend lent me, EVERYTHING.
  • WRITE. I wrote my first short story in a long time this week. It flowed out of me, which was lovely, but now I’m thinking, shoot, now I have to edit it. I’m not so good with that part.
  • SING. Warm-up. Play the piano while I sing some hymns. Pretend I know what I’m doing again. Maybe some German art songs, but I may be too ambitious (again).
  • Finish my brother’s sweater. (Yes, I knit. It’s like the icing on the dork-cake. In my defense, he asked me to make him a sweater, so really I’m just being a kind sister…)
  • WALK. I miss the outdoors. I miss the sunshine, the leaves, the color of the sky. I plan on going for a number of walks in the next few days.

What I DON’T want to do, but need to do:

  • CLEAN MY ROOM. Gross.
  • Find the water heater for my chickens. It’s getting colder (or at least, it’s supposed to be getting colder), and the waterer started to ice over the other day. Not cool.
  • CLEAN MY CAR. Yeah, like that’s really gonna happen.
  • LESSON PLANS. I have a lot of planning for the next week or two of Latin. We’re starting Chapter Six in my high school class, and it’s painful. Remember how in your English classes, your teachers always told you not to write in the passive voice? Well, Latiners LOVED using passive verbs. So basically I think I’ll need to give a mini-English lesson before I even introduce the Latin (i.e., “What’s the difference between ‘Marcus hits Iulia’ and ‘Iulia is hit by Marcus’?”). And welcome to: Prepositions that Take the Accusative Case. And welcome to: The Locative Case.

Now on my way to my favorite little bookstore. Stock up on those books I’ll be reading.

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The Art of Letter-Writing

There are few things that bring light to my day like a good letter. When I was little, I had two pen pals – my cousin who lived in northern Maine and my neighbor’s granddaughter who lived down in Virginia. We were very dedicated little writers; I remember getting envelopes stuffed to the brim with things like stickers, little plastic toys, homemade bookmarks.

I keep all of them in my great-grandfather’s old briefcase, the one with the gold clasps.

The one on the bottom has all my old manuscripts – all the horrible plays and short stories I wrote before I became self-conscious. The middle one is my great-grandfather’s, the leather handle almost broken off.

Almost every letter I’ve ever received (along with birthday cards, letters from my sponsor child in India, little notes I used to pass in class) is stuffed in.

The top one holds my letter-writing things: stationery, cards, my old wax and stamp kit, my address book (yes, I have an address book).

I probably never would’ve stopped writing to them, but middle school does different things to people.

~     ~     ~

Letter-writing is very personal. It’s like a journal, only in some ways, it’s far more vulnerable. You’re opening your thoughts, your life, to someone else, trusting him or her to guard it, to read a part of you without judgment.

It’s personal, and yet there are so many beautiful, meaningful letters to read. My uncle told me about this website (“Catherine, you’d love this.”), Letters of Note, and I’ve poured over it.Steinbeck’s letter to his son about love is one of my favorites – honest, straight-forward, understanding, loving.

And while my letters will most likely never be read by anyone other than the intended recipient, I still like the idea that I join a long line of people before me. Thinkers, lovers, readers, writers, artists, theologians. People who stopped, saw the beauty around them, and then made that beauty palpable for those they loved.

~     ~     ~

This week I got a letter from my world-traveling friend. I read it once, twice, disbelieving of the beauty of my friend’s artistry, both in word and paint.

Switzerland is far away, and even though I miss my friend dearly, letters like this help make up for it.

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[Cafe Sleep]

I could fall asleep with my head on this table, press

my hot cheek to the cool varnished wood splattered

with other people’s coffee.

 

I still like my idea of beds suspended from the walls,

folded out to catch your tired bones – who

wouldn’t like a comfy mattress for a few

minutes of rest?

 

The busy city wears out your feet and sores

your muscles; the least it can give is a café with beds.

 

But that would be so dirty, they remind me.

The logical ones. The ones who cannot

let go of fact to see perfection.

 

Yes, I admit, it would be hard to keep clean.

But oh how luxurious to sleep

to the muffled voices and toned-down laughs

of a Chicago coffee shop.

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On Beginnings

I had the best nap of my life. Everyone had told me, “Whatever you do, don’t let yourself sleep. Push through. It’s worth it.” But after showering the grime of three airplanes and a VW van off my body, I suddenly found myself lying on the thin mattress in my hostel bedroom, the Salzburg sun streaming over me. I smiled in my cloud of wet hair and fell into the deepest sleep I’ve ever had. I didn’t toss and turn like usual; my insides were weighted down to the bed like an anchor, and when I woke up, I knew where I was but I still did not believe it. My first day out of the country and I’d slept three hours gloriously away.

I remember other things about my first day in Austria: the walk I took – alone, American, enchanted, and floating – along the street lined with trees and open fields speckled with feathery white flowers. I thought they were edelweiss, only to find out later they were weeds no one cared about. For one afternoon I lived in an edelweiss dream, and if I’d had a wicker basket on my arm I would have been swinging it. I bought a loaf of rosemary bread and a small carton of blueberries to satisfy my overdue appetite. I felt like a dimwit when I couldn’t figure out how to open the sliding glass door of the supermarket (turns out I couldn’t open it because it was a wall). And the late arrival of my roommate and good friend, her toes dirty from travel, but her eyes alight with Munchen stories.

~     ~     ~

I’ve always been fascinated by beginnings, by first things. Maybe that’s why I have a whole computer and numerous notebooks filled with witty story-starts, left to dangle in time, either through my quick boredom or my fear of lying. Because that is what I feel like sometimes – I must only write what I see, not what I make up – and all I ever see are beginnings of things. My friends who are artists and writers do not understand this, and really, I don’t either. Isn’t everything we create something we “make up”? And yet the best writing I’ve done is of the things I have seen clearly, the rooms that create themselves with plush red couches and pottery mugs filled with coffee. Whenever I try to make my own rooms – my own characters – they seem false and flat. Even when I see a character clearly, when I see her desires, her hair, her intense way of speaking, I do not always see much more than that, and it is always harder for me to finish stories than start them. This worries me sometimes, if I start thinking too much. Then I calm my over-excited self by telling her, You’re only young, you know. You haven’t really had many endings, so how could you see them?

 

The truth is, though, that I’ve had plenty of endings. That day in Salzburg was over in a flash, leaving itself in my mind in yellows and golds and freshness that few other days have given me. Over thirteen years have passed since the death of my grandfather; those long months of his illness are blurry and sharp at the same time. I’ve seen relationships change that I never thought would end, and I’ve struggled to grant forgiveness even when I haven’t been asked for it. I’ve experienced the end of four long years of studenthood – complete with rushed papers, devoured books, and attempts at lofty poetry. This move away from academia is without a doubt the largest change (and harshest ending) of my life. I am stepping out on the path to adulthood, and I’m not sure I like it. I bucked at the idea of moving home, and now that I am here, I close my eyes against the reality that I need to leave soon. I no longer have a classroom to sit in, a professor to meet with, or a project to put off until the night before. I have glossed over all the hardnesses that have littered the last four years, and I’ve shaped my college experience into a beautiful, winding, light- filled laughing thing that siren-calls to me, Do not let this go. You were never so happy, and you will never be so happy again. This is probably the first time I am dwelling on an ending instead of a beginning; it’s a lot easier to feel unchanged when you are looking back than looking forward. But there is little difference between “unchange” and “stagnation,” and I must constantly fight to keep myself out of that place.

 

I know that endings have a kind of beauty, and I know that the ending of childhood has a melancholy beauty all its own: the close of dependence, the close of naivete, and the lifting of the burden we all feel to be different from who we are. While I can attest to the value of endings, I still think I’ll always prefer the mystery and newness of a beginning. Not only does the beginning hold unknown (and therefore, full-of-potential) events, but you don’t know who you will become in the upcoming story, either. I love beginnings because of the horizonless hope they provide. You do not see the endlessly long plane ride back from Vienna to Boston. You do not see the overwhelmingly sad break-up that leaves you wishing you’d never embarked on the risk in the first place. You do not see that what you’d been studying for years to perfect is, after all, far more difficult than you’d thought. What you see is the world laid out before you, stretching stretching and beckoning you to jump in.

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Back from the Beach

Back home from a glorious week at the ocean. We tried to calculate how many summers we’ve trekked just far enough from home to call it vacation, but not so far that we can’t scoot back for work: we’re thinking around seven, but the number changes depending on who you talk to. Gram doesn’t even weigh in anymore.

I’d planned on reading a lot (I brought my biography of Catherine the Great by Robert K. Massey, but that tome belongs nowhere near a beach). I’d planned on writing (there seem to be poems swimming in my head, they won’t stop persisting). I thought I’d have long stretching hours of alone time, thinking time, with a little chatting here and there.

But siblings and cousins, a Gram, an aunt and uncle, make thinking time a little harder to come by. Instead of reading in solitude, I played endless games of Cranium, a new game called Hit or Miss, and Cribbage was always going on, the players switching in and out. We walked on the beach every morning and evening, sat in the sun, actually swam in the frigid New England ocean and loved it.

That’s my biggest problem with the things I love most – reading, writing – they are such isolating events, sometimes. The reason I love them is because of the people. The words that can translate one human experience to another. And because this is largely why I find myself longing to read a good book, it is also largely why I often don’t have the attention span to wait it out.

 

There are so many beautiful things to be seen, so many interesting people to talk to, so many memories with family.

 

And to return to the writing afterwards, with fresh eyes and a more intricate history.

 

Nothing gets me thinking like the ocean.

 

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Slouching Towards Bethlehem

I finished Joan Didon’s Slouching Towards Bethlehem and I LOVE HER STILL. Or more, depending on how you look at it.

The preface begins with Didion’s explanation of the title: “This book is called Slouching Towards Bethlehem because for several years now certain lines from the Yeats poem…have reverberated in my inner ear as if they were surgically implanted there.”

I love the way she ties everything in, what she sees, smells, reads, talks about.

One of my favorite essays was the last, “Goodbye to All That.” Didion writes about her time in New York in the sixties, how little things like the smell of Henri Bendel jasmine soap or the perfume she wore transport her back to that place.

She talks about the changes New York wrought on her in a short time, how she wondered what happened to that old self:

I know now that almost everyone wonders something like that, sooner or later and no matter what he or she is doing, but one of the mixed blessings of being twenty and twenty-one and even twenty-three is the conviction that nothing like this, all evidence to the contrary notwithstanding, has ever happened to anyone before.

When I read this, I thought, No, I’m not like that. I mean, other people are, sure, but I know there’s nothing new. I know we are all the same.

And then I look at how I actually operate, and it seems like Didion knows me without having met me. I wish I were so levelheaded, so logical and able to weigh evidences, but it seems that the feeling of uniqueness is built into us.

Ha, what a contradiction.

I think Didion’s strength (or one of her strengths) lies in her ability to be honest but not whiney. Honest but without begging for pity. She is removed enough from her subject – her self – that she can bring the reader in with nods of agreement, of recognition. I felt this even with the memoirs of her darkest times, Blue Nights and The Year of Magical Thinking.

I like her because she gives a voice to so much of what I feel.

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The Dirty Life

Okay, I admit it: I definitely judge a book by its cover.

But even more than that: I judge a book by its title.

Image

I saw this book in the “Self-Sufficient” section of Barnes and Noble (forgive me, small independent bookstores! you are still my number-one!), and I bought it. I love the title, and no, I do not care that it was coined to catch people just like me, those of us who are easily amused. I went home immediately and started reading, getting engrossed in Kimball’s love story (Mark was just about to make a move!) when, to my horror, I found that the book was MISSING 30 PAGES!

You cannot imagine my anger.

There was no way I was going to read ahead, so I had to wait two days til I could get a new copy.

I am about 2/3 of the way done now, and I love it. Kimball is honest and I find that pretty refreshing; she doesn’t pretend that the love she and Mark have makes farming easy.

And she’s had her own mishaps with dumb mistakes.

There are a lot of moments in the book that I appreciate, but here are a few:

One of the gorgeous and highly annoying things about Mark’s personality is that, once he bites into an idea, he’ll worry it to death, exploring every possibility, expanding it to the point of absurdity and then shrinking it back down, molding it around different premises, and bending logic, when necessary, to cram it into a given situation. No matter what he is doing or saying or thinking, the idea is perking away in the background of his formidable brain, details accruing (57).

A farm is a form of expression, a physical manifestation of the inner life of its farmers. The farm will reveal who you are, whether you like it or not. That’s art (157).

I was in love with the work, too, despite its overabundance. The world had always seemed disturbingly chaotic to me, my choices too bewildering. I was fundamentally happier, I found, with my focus on the ground. For the first time, I could clearly see the connection between my actions and their consequences. I knew why I was doing what I was doing, and I believed in it (158).

The only annoying thing, then, is the fact that I was not the person to write this book.

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What I Want to do on My Trip!

On the Plane
  • Finish Joan Didion’s The Year of Magical Thinking and start Slouching Towards Bethlehem
I opened Blue Nights by Didion last week and it was as if I’d already read it. DRAMA ALERT! As if she were an old friend, and our souls had spoken to each other. I felt this way when I read Annie Dillard’s An American Childhood the summer I worked at Houghton Mifflin Harcourt – there is something about women who show you their truths. I think they illumine my own.
  • Watch all the passengers

And make up stories about them…

  • Write in my journal
Writing on planes is so much fun. It’s like you’re suspended in time and whatever you write was written in an alternate reality. Also, the idea of writing before you have any idea what your trip will hold is so romantic. All the hopes, fears, and anticipations rolled into a little notebook, no matter what kind of  trip it is.
Oklahoma
  • Hang out!
I can’t wait to spend time with old family friends! So much to talk about, so much to fill each other in on.
  • Eat sushi and barbecue
I make it a point to eat sushi as much as possible, but the idea of eating it in the midwest is a little strange to me. I guess people who don’t live near the ocean still eat fish…? And who doesn’t want a little Oklahoma barbecue?!
St. Louis
  • Relax
One of the best things about my friend A. is that he has no expectations. I can be whoever I want, do whatever I want, and he won’t mind at all. So if I feel like hanging out on the couch all day reading and drinking coffee, he won’t be surprised.
  • Check out a church
Growing up in New England, I’ve only had fairly typical New England church experiences. Most churches have been really small, many hurting, and the few larger ones I’ve gone to have been so academic that it’s hard for me to implement any aspect of the sermons in my life. I’m looking forward to seeing if the churches in St. Louis are different, or if young Christian men have to hide from the ever-eager young Christian women everywhere you go.
  • Check out a museum

I want to hit up the St. Louis Museum of Art and/or the Contemporary Art Museum. Also, there’s a great outdoor art exhibit called the Laumeier Sculpture Park. On Monday, my good friends from college are meeting me in St. Louis (you should be humming the song right about now), and I’m hoping they’ll be up for a little art!

25 Things to do in St. Louis:

http://explorestlouis.com/visit-explore/discover/25-things-to-do-in-st-louis/?gclid=CJDGs9WWlK4CFY9W7Aod6UGCMQ