Two Homes

The wooden holy family rests on a stack of old grammar school primers. I remember wandering the cobbled streets of Salzburg, how I picked it out as a gift but then couldn’t part with it once I reached Stateside. Next to it is the delicate hand painted teacup from my old Sunday School teacher. It’s almost too fragile for me to own, so I am trying to enjoy its beauty for as long as I can.

I pounded some nails into the wail to hang my sign and “Alice in Wonderland” caricature from my days of directing. I taped up postcards and photos above my bed, and I’m hoping to buy Christmas lights to string between the windows.

I’m trying to make this home.

My routines transferred easily to this new place. I still get up and grind coffee beans, boil water, fill the French press. I still pack (or forget to pack) a make-shift lunch my coworkers have deemed “college-student-worthy.” I wipe down the bathroom every once in awhile, put the dishes away, and I’ve even swept the floor twice. My domestic side is not exactly thriving, but she is growing.

When my apartment mate plays James Taylor and Paul Simon.

I cut my bangs leaning over the bathroom sink. I didn’t think about it, I just did it. Some routines have transferred easily, others are newly acquired.

When we sit in the living room, some with a book, some with a computer, others chatting, and all of us with wine.

I bought bright blue glasses, and my students said I looked like a hipster. And then my family said I looked like a hipster. I’m wondering how many times it takes before it’s true.

When I walk down the street to a friend’s apartment, and she shows me the best place for falafel.

For the first month, I tossed in my sleep, afraid I would get a parking ticket in this ticket-happy town.  I still haven’t parked in the wrong spot and it’s been six weeks. I only believe in spending $50 on worthwhile things.

When my sister or friend comes down to the city, and we make tea and sit in the shady park.

A book club friend and I went into the thrift shop, and I came out with a sequined top. Not just sequined but fully sequined, with swishes and bright colors. “Oh my gosh, I love this top!” the cashier said. “I’ve been eyeing it since we got it.” I’m waiting for a good dancing night to christen this vintage beauty.

When writers’ group is about to start up for the year and I’m itching and waiting to read and write.

Sometimes, though, it doesn’t feel so much like home. Like when I hit more potholes than my little car can handle and the wheels get all misaligned. Or when I open the fridge and realize, Shoot, I didn’t go grocery shopping, and it’s hardboiled eggs and crackers and hummus for dinner. Again. Or when I climb the steps to my front door, feel eyes on my back, turn around to see a rough man leaning out of a large white van, staring, watching me enter my house. Or when I google search for a new church to visit, and I slip in quietly, worship alone surrounded by strangers, and slip out.

When I spend a Sunday afternoon making applesauce from Dad’s bruised apples, listening to a sermon on what it means to be sanctified, and starting the next baby sweater on my knitting list.

I am moved by poetry in the fall. My soul is played out in Chopin and Debussy in October.

I am in love with this poem by John Holmes right now, even though it’s not the first time I’ve read it. Maybe it’s being so close to him, to where he taught, where he wrote. Maybe it’s experiencing these two towns.

Read it slowly. The end is worth it, and the beginning makes the end matter.

Map of My Country

I

A map of my native country is all edges, 
The shore touching sea, the easy impartial rivers
Splitting the local boundary lines, round hills in two townships,
Blue ponds interrupting the careful county shapes.
The Mississippi runs down the middle. Cape Cod. The Gulf.
Nebraska is on latitude forty. Kansas is west of Missouri.

When I was a child, I drew it, from memory,
A game in the schoolroom, naming the big cities right.

Cloud shadows were not shown, nor where winter whitens,
Nor the wide road the day’s wind takes.
None of the tall letters told my grandfather’s name.
Nothing said, Here they see in clear air a hundred miles.
Here they go to bed early. They fear snow here.
Oak trees and maple boughs I had seen on the long hillsides
Changing color, and laurel, and bayberry, were never mapped.
Geography told only capitals and state lines.

I have come a long way using other men’s maps for the turnings.
I have a long way to go.

It is time I drew the map again, 
Spread with the broad colors of life, and words of my own
Saying, Here the people worked hard, and died for the wrong reasons. 
Here wild strawberries tell the time of year.
I could not sleep, here, while bell-buoys beyond the surf rang.
Here trains passed in the night, crying of distance,
Calling to cities far away, listening for an answer.

On my own map of my own country
I shall show where there were never wars,
And plot the changed way I hear men speak in the west,
Words in the south slower, and food different.
Not the court houses seen floodlighted at night from trains,
But the local stone built into house walls,
And barns telling the traveler where he is
By the slant of the roof, the color of the paint.
Not monuments. Not the battlefields famous in school.
But Thoreau’s pond, and Huckleberry Finn’s island.
I shall name an unhistorical hill three boys climbed one morning.
Lines indicate my few journeys,
And the long way letters come from absent friends.

Forest is where green ferns cooled me under the big trees. 
Ocean is where I ran in the white drag of waves on white sand.
Music is what I heard in a country house while hearts broke. 
Not knowing they were breaking, and Brahms wrote it.

All that I remember happened to me here. 
This is the known world.
I shall make a star here for a man who died too young.
Here, and here, in gold, I shall mark two towns
Famous for nothing, except that I have been happy in them.