After the Burning [Guest Post]

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I’m honored to share Hannah’s story. I met Hannah when she started dating my childhood friend, David, and I even got to be part of their wedding last summer. I resonate with a lot of what Hannah has to say about expectations. You can read more of her writing at her blog, hannahlynnmell.com.

 

When David and I moved to Kansas last summer, I envisioned countless bright scenarios: making our first home together, establishing ourselves in a new arts community, gathering a circle of warm-hearted midwestern friends. We drove the moving truck cross country just three weeks after our July wedding, headed toward David’s first full-time teaching position and a shockingly inexpensive high rise apartment in downtown Wichita.

The low cost of living meant that I could piece together part-time work instead of looking for a full-time teaching job myself. The set-up offered precisely what I’d hoped for: ample time to write. I’d unleash volleys of cunning, heartfelt essays, utilize the glittering Interweb to network with likeminded creative-types, and watch my freelance career begin to unfold.

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You can smell the punch line, can’t you? We make our plans, and the good Lord chuckles. I love writing and revising essays; I don’t love submitting and resubmitting them. After ten minutes on Facebook or Twitter, I’ve had my fill of social networking for the week. It wasn’t that I spent the year in ardent pursuit of my dream but met with disappointment; my ardor dried up by the end of autumn.

Turns out I thrived on the bustle of teaching full-time. Waking early, putting on pretty clothes, riding my bike to school: my old routine suited me far more than staying in my pajamas and plunking away at a computer keyboard. When I found myself brooding at school, singing joyful songs with children snapped me out of it. In my new life I depended on afternoon voice lessons to buoy my spirit – and teaching students via Skype fell far short of teaching them in person.

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As autumn ended and winter set in, I grieved the loss of my Writing Career as though it had actually existed. I knew that I’d continue to write, but I unhanded the illusion that it would make me famous or even pay the bills. Okay, “unhanded” is a graceful but inaccurate verb. God had to pry the illusion from my sweaty, clutching fingers the way I’ve seen parents wrest dangerous objects from their toddlers.

Meanwhile, David’s teaching job dragged him through a disillusionment of his own. I don’t know which made me weep more: watching my husband struggle or letting go of the person I planned to become.

Fast forward to spring. Autumn and winter make a lot more sense when the world begins to blossom. Letting go of the person I planned to become? I’ve begun to recognize the loss as a gain.

Lines of burning grass create pattern on landscape at dusk

In the tall grass prairies of Kansas, spring is a time of burning. Native Americans started the tradition of setting fire to the old grass in order to instigate the rapid growth of new grass. Viktor Frankl wrote, “What is to give light must endure burning.” In prairie terms, we could slightly revise that: What is to give life must endure burning. As I survey the charred landscape of our time here in Kansas, I see fertile soil and green shoots. New dreams arise from the ashes of my surrender. David and I make plans to return to Massachusetts. I begin to outline a novel.

Catherine asked me to write about living the in-between. As she astutely observes, “We’re all there in one way or another.” David and I have experienced the in-between in full force this year, but I can’t remember a season of my life that didn’t feel like a transition. Like a baffled student, I return to the same lesson again and again. I’ll say it confidently now, with the windows open and the lilacs in blossom: the new life quickening within me will feed next year’s flames. When the grasses fade to yellow and the cold sets in, I’ll weep and question and eventually let go. I can’t tell you next year’s particulars, but I’m learning to love the pattern.

Hannah writes, Skypes voice lessons, and teaches yoga in Wichita, Kansas. She met Catherine through her husband David, one of Catherine’s childhood friends. Her blog lives at hannahlynnmell.com.

[Photo: James Nedresky at Flint Hills Images]

A Blossom in February

IMG_1696You know that moment when you think: This person is going to be good.

My midwestern friend, the one whose marriage we celebrated with dancing last summer, is good. After three years of separation, three years of poetry-writing, slaving over images and words and form, she has become a poet.

Our senior year, as our friendship was forming, I remember wanting desperately to have her gift. Her sensitivity to acknowledging the small, her ability to work within structure. I thought she knew what she was doing then, but now?

Now, I see growth and shimmer where there was only the hope of it before.

~     ~     ~

[I bought two copies of a friend’s book of poetry last week, and they arrived in the standard yellow mailing envelope. Two, thin chapbooks. A Bow from My Shadowit’s called, and my pride over knowing such gifted and hardworking poets makes me give that extra copy away, a gift and an acknowledgement of artistry.]

~     ~     ~

For two years after college, I wrestled with what to do next. I wanted so badly to get my MFA, to write and stay in the world of creativity and critique. Part of me still wants this – still longs for a group of people who will force me to put thoughts on paper and shape those thoughts into something remarkable.

[I go to my writers’ group every other Thursday. I read to them these things I’m hoping are poems, and I eat up their praise and critiques alike. Better writing is happening because of these thoughtful, diligent friends.]

When I listen to my friend talk about her program, I am proud and jealous, happy and wondering.

Did I make the right choice?

[The same friend whose book I just bought said to me: “I write best when it’s not all I do.” And I knew this was true of me, too. I didn’t do my best writing in college, when it was forced from me. Sure, the revising and peer editing helped, but now? I am inspired by so much. When I doubt, this is what I cling to.]

~     ~     ~

And so, on this gray February Sunday, I watch as my friends blossom into themselves. I read their words with quiet joy and a pen. I write that poem that’s been bouncing around, and I begin the research for my Classroom Management class, because my path is shaped differently than I ever dreamed.

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Ways I Recuperate

It started snowing unexpectedly, swirling around the light posts, coating the brick walkways. I was wearing a wool sweater (with, of course, a colorful yoke to suit the time of year and my desire to be Norwegian or Swedish or something along those lines). My five-year-old brown winter coat did nothing against the wind, and I kept tucking my fingers deeper into my fingerless arm-warmer-mitts, but it didn’t seem to matter.

We couldn’t get inside fast enough. The shop smelled of incense and the colors and textures that surrounded me made me think of India. I wanted to buy the entire store but settled on a few small things (can’t say, Christmas is coming) and I reconsidered getting my nose pierced, a thought I periodically mull over.

Then to a slice of delicious pizza with mozzarella chunks and basil. We talked about family and work and Christmas on the high stools, and we both checked the time because work was calling.

To top it all off? Peppermint mochas, hot and steaming. I wanted a whoopie pie. Or a croissant. Or a cookie. But I sipped my mocha and counted that as enough.

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That was Friday. This is Saturday. Aladdin, Jr., opened last night, and the looks on the kids’ faces made every frustration, every moment of What are we DOING?! completely worth it.

This is Saturday morning, and I am recuperating. That looks different, depending on what I’m recuperating from. Yesterday, it meant wandering around my favorite port town, relishing Christmas shopping and good food. This morning, it includes writing (as you can see), french press coffee, a chat with my brother, who, even though we live in the same house, I find hard to pin down, and Love Actually.

Because love, actually, is all around us, and it’s helping me recuperate.

Good Things #20

What’s that you say? The twentieth Good Things post?

Yes.

Who would’ve thought I’d stick to an idea long enough to write 20 posts about it?

[Follow up on #19: I plan to watch The Artist tonight…here’s hoping I don’t fall asleep!]

Blogs/Posts. As I said in my last post, I’ve been thinking a lot about creativity and what it means and what do I do when my creativity doesn’t look like I want it to look? I came across this post by Stephanie Motz Skinner, and I love how she yearns for “the place where creative waters do flow”. The most poignant line to me, though, was this: “It’s easy to give way to comparison, which is the enemy of creativity.” There’s nothing worse than destroying your efforts before you even begin.

Music. My sister introduced me to this band, and it’s no surprise at this point that they hail from Washington State (what is it about that place that produces such phenomenal music?!). The Head and the Heart has a great mix of male and female vocals, and I like pretty much every track of their album. And judging from the image on this video, they are quite the eccentric bunch. Enjoy.

Flip phones. Yes. The ever-hated flip phone (does anyone even know what that is anymore?) is on my Good Things list. You wouldn’t believe the work having a flip phone has gotten me out of.

Catherine, could you just email all those people and ask…oh, wait, you have a flip-phone. Never mind.

Hey, can you look up…oh. Ugh.

Can’t you just pay with your iph— you are so annoying! Get an iphone already!

The thing is, I love my little flip phone. I love how it doesn’t ask more of me than to dial its little button numbers. It doesn’t pretend to be something it isn’t, and it certainly doesn’t hold all the answers to my questions. And I like that – I’d still like to have an excuse not to know something. It’s freeing not to have the entire world’s knowledge in my hand.

So, thank you, flip phone. Going strong since 2010.

[That being said, I do wish I could participate in phenomena such as “SnapChat”, “HeyTell,” and various other hilarious pastimes. Alas, sacrifices.]

[I hope there isn’t an expiration date on photos. This one’s from my summer in Salzburg; we were laughing and dancing (and being annoying, I’m sure) along the river.]

Dubus on Writing

In the cozy light of candles, I picked up “Poets and Writers” hoping to be inspired. It’s been too long since I wrote anything of consequence (and by consequence, I guess I mean fiction, which is a lie of its own kind).

I read of Elizabeth Gilbert’s success after Eat, Pray, Love, and who could imagine such response to a memoir? But it wasn’t there I found it.

It was later, reading about Andre Dubus, III, wondering who this Massachusetts-writer was, the title of his first great success – House of Sand and Fog – like an old friend, even though I’ve never read it. Teaching English at U-Mass Amherst, struggling with who the world thinks he is and who he actually is. And then he says it,

We can’t choose what haunts us.

Six words later and relief washes over me.

I’ve been trying to escape these hauntings my whole life. Over and over in college, my fiction felt stunted and half-baked, the starts of goodness, maybe, but the shortened ends of a truth not fully told. And my greatest fear in fiction? Dani Shapiro said it in her post on writing and being, “Was my subject myself?”

That’s why nonfiction has felt like such a defeat. I write nonfiction because I can’t get myself out of my fiction, so what is left to do? The summer I was twenty-one, I interned at a large publishing house in Boston, and once in a while I got to have lunch with employees gracious enough to interact with my eagerness. I picked their brains, my notebook covered in their scrawling answers. At one of these luncheons, I spoke with a recently published writer. She wrote a YA novel, we shared the same name, and I felt a natural kinship with her for these reasons.

“But, I can’t get myself out of my writing,” I said, hoping she’d have some magic cure.

“You can’t worry about that,” she said brusquely. “You’ll never do it.”

And she’s right.

We can’t choose what haunts us.

I write poems that surprise me. I write essays that shock me. Until I stop viewing nonfiction as second-class, somehow less of an art form, I will never be able to create what needs creating. I root for my friends whose plot lines fill their brains and seem to write themselves; these friends are haunted by characters, stories they’ve never lived, ideas and questions that map themselves out in imagination. From this vantage point, I will never be that writer. This is not to say I’ll never write a lick of fiction again. It is to say that my expectations of myself are changing.

I can’t choose what haunts me, but I can write the hauntings. I guess that’s all I can do.

Good Things #19

This fall has been a particularly beautiful one.

Morning commute. This is not something I generally consider a Good Thing, but yesterday morning was the most beautiful drive. I looked out and saw fog lying low over the fields, the trees red and orange, the sun shining in that October-morning way. I wanted to stop the car and run through the fog, but imagining it was second-best.

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Books. Writers’ group met this past week, and we talked about John Gardner’s The Art of Fiction. “I’ve never read that,” I say, and my friend hopped up, ran to his shelf, and pulled out his copy. I’ve only read the preface, but already I’m in love. Addressing the fears that so many wanna-be-writers have, Gardner says:

Most grown-up behavior, when you come right down to it, is decidedly second-class. People don’t drive their cars as well, or wash their ears as well, or eat as well, or even play the harmonica as well as they would if they had sense. This is not to say people are terrible and should be replaced by machines; people are excellent and admirable creatures; efficiency isn’t everything. But for the serious young writer who wants to get published, it is encouraging to know that most of the professional writers out there are push-overs.

I love this. Partly because I think, “I knew it!”, and partly because I feel like I need to admit, “Yes! It’s true! I DON’T clean my ears as well as I should!” I can’t wait to get into this book.

Music. I first heard this band in my city-friend’s apartment last spring. I didn’t know who it was and I didn’t figure it out till a few weeks ago when another friend said, “Hey, I think you’d like these guys.” I like their lyrics and I love their sound. Good writing meets good music. “When Your Back’s Against the Wall” is encouraging in a not-hoaky way – give it a try.

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Chickens. There was a long while where I was not grateful for chickens. I hated doing them every day, I hated how they acted like they were starving when there was clearly food in the feeder, and I did not like that I had to clean out the henhouse. While not all of that has changed (I still do not rejoice in the early mornings…), I am so thankful that I get to eat farm-fresh eggs and sell them to friends and family. It’s actually been hard to get enough eggs recently – something I’ve never had to deal with before – and I’m considering expanding the flock next spring. There’s nothing more beautiful than an assortment of eggs.

Movies. Okay, this is not so much a recommendation as a plea: I haven’t seen a good movie IN FOREVER. Are there any out there? Please.

What Do You Want Your Story to Be?

I was addicted to stories. I devoured them, one after the other, bending and folding paperbacks with abandon, dog-earring corners, underlining words that were beautiful, words that were true. Young heroines like Emily of New Moon and Betsy from the Betsy-Tacy books taught me how to be spunky and creative. It wasn’t long before I was weaving plots for hours on a 1995 Gateway computer in my bedroom.

I remember wanting other kinds of stories, too. Sitting at the dinner table long after all the food was eaten, we’d beg my father to tell us stories about his childhood. (My mother’d always shake her head when we asked her, saying she didn’t have any stories. I still find this hard to believe.) Dad’s stories often involved fish, foolish things my dad had tried because he was “curious.” The time when he was three and took the goldfish out of the tank “to look at it” is a classic; I can still picture the poor thing gasping on the living room carpet, the victim of an over-active mind and not quite enough supervision.

My mother’s friend from college told us good stories, too. I remember most the one of her throwing cherry tomatoes over the railing and hitting guests. Oh, and the one with blood-engorged ticks (who could erase that memory?!). And the one when the dog ate rising bread dough and its stomach rose with it, waddling proof that dogs do not know what’s best for them.

I grew up on stories.

The voices brought people alive, my great-great-grandfather and his stern Maine-ness. My grandpa whom I’d known but only awhile, breathed again when we talked about his stories of growing up on a fox farm. As I listened and began to craft stories of my own, I realized that one day, I too would have stories to tell my children.

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What do you want your story to be?

[He asks from the pulpit, and I think, I’ve been thinking about this all along.]

When you write your story, think about how it affects others.

When you write your story, make it one you want to tell.

This is the one sentence that rang through the sanctuary, hanging in the air, making the skin on my arms prickle with its truth.

Even though I’ve discovered the repercussions of writing a life before living it, here I was reminded that sometimes we need to shape the life we’re given. Yes, things happen beyond our control, and yes, sometimes we ache from those uncontrollables. But more often than not, we have choice.

I get to choose what story I’m living, and I get to make it one I want to tell.

~     ~     ~

I will tell about early Christmas mornings, all four of us huddling in one bedroom because we wanted to share it that one day. The lights from the tree bouncing off the mirror in the hallway. About waiting for the cousins to come and longing for the day to never end. They will ask where our traditions come from, and I’ll smile and tell them the story.

I will tell about riding horses in the sun and feeling powerful.

I will tell about discovering Laura Ingalls for the first time, about raising chickens and gardening, the plethora of projects done in the name of sustainable living.

I will tell about late-night summer man-hunts when hormones ran rampant and we didn’t know what to do with them so we ran, too.

I will tell about choosing a college and not being sure but doing it anyway. I will tell about loneliness and fear, about trying hard and singing hard and learning. They will ask about friends and making friends, about trying to love. I’ll tell about walks around the pond where so much got twisted around and sorted out.

I will tell about graduating and reeling in my own mind. About disappointments and mis-steps that, while not destroying definitely left me feeling useless. About dark months in winter when I was learning to trust and hating every minute of it.

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And my most recent stories? They’ll include the discovery of joy. The summer we all lived at home again and spent our evenings on the back porch. Riding with the top down in my car, fearing the day when I’ll have to say goodbye to this lovely little bug that’s taken me so many places. Finding a church that allows me to be the silly, too-immature-for-small-group girl I sometimes am. Growing in friendships that have challenged me, shaped me, and made me think deeper than I ever could have thought on my own.

My story isn’t done, but I finally feel like I am choosing it.

Good Things #17

No Ted Talks this week. Just some not-so-related Good Things.

Music. You know a song is good when it makes you nostalgic for something you never had. That’s how I feel when I listen to “Ashokan Farewell,” like I miss deeply my Appalachian home. I found out that it was actually written in 1982, even though it sounds like it’s straight out of the Civil War. (PBS miniseries, anyone?) I listened to this on repeat while I graded Latin tests – there’s nothing like grammar terms to make good music necessary.

Who vs. Whom. Yes, this is one of the good things. I’ve been explaining the difference for about a week now to various levels of Latiners. I’ve watched their eyes glaze over and their cheeks drain of all blood and I’ve fielded their desperate pleas for a bathroom break. Do you know the difference between who and whom? I can honestly admit that I didn’t…until I took my first Latin class as a sophomore and learned about the Accusative Case and Direct Objects and All Other Things Grammatical. Now I can use “whom” with aplomb, but who would choose to?

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Lavender spray. What is that, you ask? My mom bought me this amazing lavender spray from an herbalist at the Farmers’ Market and it’s amazing. Wait, did I already say that? I spray it on my pillow every night and it’s so soothing. I wish my muscles could soak it up.

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Taking risks. I wrote a poem my senior year of college. I remember sitting on my bed, not sure if I should write it, not sure if it was worth anything. It had been a moment – the summer before when I was twenty-one and freaking out about graduating – and I didn’t (and still don’t) trust my ability to recognize moments for what they are. But I wrote it anyway. I sat on it for a year and a half. I pulled it out again, brought it to writers’ group, deleted and added and shifted and shaped. I called it “Almost Family”, submitted it to a poetry contest at Ruminate, and it placed in the top seventeen. It was published in the September issue and there is my name in black and white print. There is the moment in writing that I didn’t trust and almost forgot. My first paid piece of writing. Now how to spend that twelve dollars…

Enjoy your Wednesday!

Where I’m From

I am from a thought-filled bed –

from pumpkin-pie candles and oak bookshelves.

 

I am from the white house on the slope,

homegrown apples and sage.

 

I am from the golden honey –

the towering pine whose long gone limbs

I remember as if they were my own.

 

I’m from dinners on the porch and too much laughing,

from an open-hearted mama and a dream-big father.

I’m from not enough cleaning and just the right living

and from stacks of books that beg reading.

 

I’m from “don’t wish your childhood away” and “try new food always”

and “Jesus called them one by one.”

 

I’m from cozy Christmas mornings and the yellow lights.

I’m from New and Old England,

sun-warmed vegetables and raspberry jam.

 

From sea-fishing, lake-fishing, ice-fishing,

when long-gone family breathe life again

for just that moment on the water,

 

and scrapbooks filled with newspaper clippings

tell us the world.

 

[This is part of a link-up with SheLoves Magazine]

Good Things #15

I decided to write “Good Things Mondays” back when Monday morning was spent with my writing and reading and catching-up. This year, my schedule has shifted, and Wednesday is now the day for creativity.

So, are things just as Good on Wednesdays as they are on Mondays?

I like to think so.

Thought-provoking. I have recently become re-addicted to TED Talks. I posted one last week on being a twenty-something, and this week’s favorite is on body language. We’ve heard this idea before – that information is conveyed through non-verbal cues – but Amy Cuddy asks if perhaps our body language can change our thinking. It left me thinking: How do I portray myself just by the way I stand? Do I adopt a posture of powerlessness? Or the other way around?

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Music. I can’t remember how I found this song. Probably Pandora. And for once I was smart and wrote down the name. It’s called “Way Over Yonder in a Minor Key”, and the version I like the best isn’t on Youtube. This one’s pretty good though, and when I heard his speaking voice, I was surprised he sang such folksy music.

Books. Right now I’m reading The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer. I bought it from an independent used book store right before they were unceremoniously kicked out of their space of twenty-plus years by outrageously-raised rent (can you tell what I think about that?). It’s written as letters back and forth so that was an adjustment at first. It’s set post WWII, and I really like that time period these days. It’s also Shaffer’s first novel, and I like reading author’s firsts.

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Fall walks, bike rides, etc. Is there any other season that begs to be walked in? The leaves are changing here in New England, the air is crisp, and I revel in the particular way the sun looks in autumn.

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Fall foods. Crunchy apples. Warm cider. Pumpkins (uneaten on the steps). Cider doughnuts. Apple pie (as soon as I get to apple picking).

Woo-hoo! So, I submitted a poem to a competition a few months ago (okay, more like a lot of months ago), and while it didn’t win, it was one of 17 finalists. It’s called “Almost Family” and it comes out in the September issue of Ruminate. A step in the right direction. Now if only I could write more…and more… If you click on the link, you’ll see my name, fourth from the top in the poetry section as proof!

Words. Autumnal. Puerile. Euphoric.