The World by Alexandria

When I first watched The Fall it was October of 2011 and I was sitting in an upstairs apartment in the dark. My friends had recommended it highly and they sat next to me, across from me, eyes glued to the television. It was beautiful – the red sharp against the desert sand, the ocean a deep tropical blue-green, the feeling of a huge block of ice melting on your tongue.

My reaction to this movie is visceral. I’d rather not try to paraphrase it here – a string of words that means nothing if you haven’t seen it for yourself – but every time I watch the six-year-old Alexandria discover (yet again) that life is not perfect, that evil happens, and that people make the wrong choices every day, I am thrown into a pair of worn-out mary-janes and shocked by the very same things Alexandria cannot accept. The tears pouring down the rounded contours of her cheeks dampen the navy sweatshirt I’m wearing every time.

I watched The Fall again last week. I should’ve warned my friend how I react because I think it was surprising. What strikes me is that I’m not even sure the director or writer intend for me to view their film the way I do. God wasn’t in the picture for them, most likely, but that is what I see.

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As Roy tells Alexandria the fantastical story of bandits and adventure, he manipulates. He twists the story for his needs. He shakes morphine pills out of a plot line and uses a little girl’s devotion to alleviate his suffering. In the end, as he’s realizing the futility of his own life, he begins to destroy the world he’s built, and as each of the beloved characters dies, Alexandria becomes more and more outraged. Deeply angry, deeply sad, she cries out to him in both the story and real-life,

“This is my story too!”

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She weeps for her friends in this false-reality, but I think she is also weeping for herself. For Roy and his brokenness. For her dead father. For all the things that happened but shouldn’t have, and for all the things that should’ve happened but never did.

All I can think as I am re-immersed in this story is that Alexandria is not alone in her sadness, her anger. When God watches what we’ve chosen, He feels something akin to it, I think.

This is not the way the world is supposed to be. I feel this way when I watch movies like The Fall, when I hear about typhoons in the Philippines, when I read about another gunman.

I feel this when I (yet again) choose comfort and ease over helping another. When I watch students I care about spiral down a path that can only lead to more wrong choices. When I try to love and can’t. When I remember the death of a boy I knew, a boy whose grin is still bright in my mind.

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I know that this might not be what the artists had in mind when they made The Fall. That’s the beauty of art, though, the grappling and insight that comes even when you don’t expect it. I’m grateful for the beauty they created, for the suffering they show, and for the reaction of a little girl who speaks for me in ways I’m not always able.