Posted on

A Blossom in February

IMG_1696You know that moment when you think: This person is going to be good.

My midwestern friend, the one whose marriage we celebrated with dancing last summer, is good. After three years of separation, three years of poetry-writing, slaving over images and words and form, she has become a poet.

Our senior year, as our friendship was forming, I remember wanting desperately to have her gift. Her sensitivity to acknowledging the small, her ability to work within structure. I thought she knew what she was doing then, but now?

Now, I see growth and shimmer where there was only the hope of it before.

~     ~     ~

[I bought two copies of a friend’s book of poetry last week, and they arrived in the standard yellow mailing envelope. Two, thin chapbooks. A Bow from My Shadow, it’s called, and my pride over knowing such gifted and hardworking poets makes me give that extra copy away, a gift and an acknowledgement of artistry.]

~     ~     ~

For two years after college, I wrestled with what to do next. I wanted so badly to get my MFA, to write and stay in the world of creativity and critique. Part of me still wants this – still longs for a group of people who will force me to put thoughts on paper and shape those thoughts into something remarkable.

[I go to my writers’ group every other Thursday. I read to them these things I’m hoping are poems, and I eat up their praise and critiques alike. Better writing is happening because of these thoughtful, diligent friends.]

When I listen to my friend talk about her program, I am proud and jealous, happy and wondering.

Did I make the right choice?

[The same friend whose book I just bought said to me: “I write best when it’s not all I do.” And I knew this was true of me, too. I didn’t do my best writing in college, when it was forced from me. Sure, the revising and peer editing helped, but now? I am inspired by so much. When I doubt, this is what I cling to.]

~     ~     ~

And so, on this gray February Sunday, I watch as my friends blossom into themselves. I read their words with quiet joy and a pen. I write that poem that’s been bouncing around, and I begin the research for my Classroom Management class, because my path is shaped differently than I ever dreamed.

IMG_1702

Posted on

Dare to Surprise

Image 7

There was a boy in high school who stood out. For both good and bad, for his height, his clothes, his penetrating gaze when he talked to you, his arrogance. I noticed him early in September freshman year, and immediately I knew that I didn’t trust him. It wasn’t that I didn’t like him, but that I knew every time he would choose the wrong thing. That he didn’t know how not to let someone down in his laziness and youth.

For four years, our paths crossed occasionally, a mutual friend, a witty conversation, an awkward comment as we passed. I watched as he made reckless decisions, hurting young girls who saw only the handsome prince and not the boy. I had my hackles up because I knew exactly what he was like. No one had to tell me that I wasn’t the only he made feel like a million dollars, that I (along with everyone he talked to) was the only person in the room. No one had to tell me that his confidence in his charm was a very part of that charm. Even as I allowed myself to laugh because I like a quick tongue and an educated joke, I knew that I could never truly be myself.

That’s the thing about early assumptions: you almost always think they’re wrong. You second-guess yourself. You remind yourself that you are critical, that you expect too much of people, that you put people in a pretty little box with a label (“Fake,” “Selfish,” “Socially Awkward,” “Immature”) and set the box on the shelf in your closet, never bothering to open it and rethink that decision you made so many years ago.

And because you know your tendencies, you force yourself to rethink it. You figuratively slap your own arrogance in the face, and you dare them to surprise you.

Surprise me, I whisper, when I begin to trust.

[For once, don’t promise the big grand thing and forget in your rashness you ever said anything.]

Surprise me, I hope when I let someone begin to love me or someone else I care for.

[For once, choose the best for the one you claim to love most. For once, refuse your own selfishness.]

Surprise me, I dare, even as I watch again and again as they continue not to.

[For once, make your word count for something.]

What I’m really asking for is this:

Prove me wrong. Please. In this one instance, I want so badly to be wrong.

I guess what I’m realizing is that sometimes you’ll never be surprised. Sometimes, that immature fourteen-year-old-freshman-self wasn’t as dumb or judgmental as you claim, and really, here is a young man who’s grown up to be just a taller, more successful, equally-self-centered gentleman with a penchant for desiring goodness but without the will-power to get it.

The same laughing blue eyes, the same way of leaning towards you with an intensity that – for just a moment – feels like yes.

There are some people who live up to their reputations.

There are some people who, after years and years of chances, will never surprise you.

And you can love them from a distance, but that is all you can do.

Posted on

Thoughts on Courage

IMG_4939

Working at the loose leaf tea shop my first year out of college was such a beautiful time of my life. It was a difficult time (because who likes floundering and admitting that you aren’t sure where life is headed?), but I look back on those days of Earl Grey and Mao Feng and Russian Caravan with a sweetness. We sampled tea, we mixed tea, we talked to interesting people, and we had some of the best discussions.

You know how there are certain things people say that burn into your brain? I have one of those friends who consistently says sentences that stick with me. It’s a friendship I treasure, but there is also a little carefulness to it because hearing truth isn’t always the easiest thing.

The sentence that has been reverberating in my mind from those days in the tea shop is this:

“Don’t make choices based on fear.”

It went along with a conversation about how you can’t always have 100% pure motives but that waiting until you do is paralyzing. Living out of fear is paralyzing. Being a coward is paralyzing.

I took this to heart, this choosing not out of fear but out of trust. I’ve been attempting to live this way, in both my private life and in my professional life, but it’s an in-progress evolution.

~     ~     ~

I thought cowards said “no.” I thought that it was the brave who grasped life by the horns and ran, who said an exuberant Yes! to all that came their way. And so I say yes because I want to be brave. I don’t want to turn my back on possibilities, and I open my hands.

Recently, I’ve been toying with the idea that perhaps “yes” is not always the answer, or at least that maybe it is sometimes the answer born of fear. In more than one instance, I have said yes because I was afraid of reaction. I was afraid of seeming weak. I was afraid of hurting someone.

But where does a weak “yes” get you but to a later, more painful “no”?

~     ~     ~

In 2014, I have said a few “nos” that were hard. I dropped a grad school class because I knew in the pit of me that two at once was too much on top of teaching. I never drop classes. Not once in college. It was humbling for me to say, You know what, I don’t think I’m gonna do this.

I was telling a student the other day (she was asking me for advice on a program to study in college and music and what to do) that I am not the person to go to if you want to be talked out of something. If you want to be encouraged and fired up and emboldened, I’m your girl! But you want to be told to let go and drop it? Find somebody else.

But that’s exactly what I let myself do this January.

No to that second class that will ruin both classes and my life.

No to that second date because we have nothing in common (I’m sorry, but trust me, some girl somewhere will love to sit and watch sports with you and make you chicken wings).

No to feeling guilty about skipping small group once in awhile to rejoin my college trivia night team.

No to trying always to be perfect, to following a timeline, to forcing myself into a little mold that can’t hold me or anyone else, really.

Too often I have said “yes” because I’m afraid. I’m afraid of hurting people, of letting them down, of being the woman who’s weak and can’t handle it.

I’m learning that sometimes it is as fearful to say “yes” as it is to say “no.” I’m still figuring out the difference.

[Photo: Sarah Hawkins]

Posted on

With Five You Get…?

I had this recurring dream growing up: I’d open the linen closet in our hallway, and magically there was a third floor in our house. The stairs were thin (because even in a dream I was logical – that closet was small!) and when we got to the top, there were two more bedrooms. We didn’t have to share rooms anymore! Here was an attic-y third floor that none of us knew about! It was amazing.

I had this dream numerous times, always imagining my own space, my own way of doing things.

Sharing a room wasn’t horrible at all. Sure, my sister and I had our ups and downs. We have different degrees of cleanliness, different ideas of what it means to be neat. My books took over. Her clothes took over. And neither of us cared much for a vacuum. But it wasn’t terrible.

Still, I dreamed.

She’s had her own place since August, and my brother just got an apartment. He moved in this weekend, loaded the back of the truck with his bed, bureau, clothes, snowboard. He was excited. So excited. There’s something exhilarating about heading out, embarking on a new adventure. Like my sister, he isn’t hundreds of miles away, but when he comes home from work, his home will look a little different. When I come home, there will be one less body, one less sibling with whom to enjoy a warm dinner and a glass of wine.

We made trips to the truck in the freezing cold, and I remembered that recurring dream.

My littlest brother is now cleaning out their room, rearranging furniture, making it his own. His music is playing loudly because neither of us likes to do work without music, and I am remembering a dream.

Our linen closet is only our linen closet, but we’re spreading out, just a little.

It doesn’t feel quite as nice as I’d Imagined.

Posted on

Talks in Cars

He sits in the back of my beetle. I forgot that eleven-year-olds usually sit in the back, so my attempt at cleaning (a.k.a., throwing everything in the backseat) was completely pointless. I make excuses, some fair, some not so much, and he tells me he doesn’t mind. I ask if his room were clean. He says yes, usually.

We drive for thirty minutes through the snow, the trees bending over the road. It’s supposed to be nearly sixty degrees this weekend, and I’m dreading the brown bedraggled wetness that will bring – just in time for Christmas.

“How was school?”
“What are your dogs names?”
“Do you have any siblings?”

– I ask.

“What’s that?” – he asks, and I clarify:

“Do you have any brothers or sisters?”

We go back and forth for a few minutes, neither of us quite sure how to navigate this new, unique relationship. He asks the usual progression of questions:

1. Do you have any children?

No! I answer, up-beatly.

2. Do you have a husband?

No! I answer, equally up-beatly.

I can feel his mind awkwardly fumbling for the next question, because what comes after that?

3. Do you have any pets?

These I do have, thank goodness, and I tell him about our three crazy dogs and my eighteen chickens. He listens to my every word, but he doesn’t always respond. He looks out the window.

He asks what my job is, and when I tell him I teach Latin and then explain what Latin is, he goes on to ask if I teach Spanish? French? What other languages? I wish I could tell him, Yes, yes, I teach them all!

There is a comfortable silence now, like we’ve known each other awhile. Maybe having animals makes me trustworthy. Maybe fulfilling his dream of riding in a beetle makes me fun. Maybe the fact that I “look like a science teacher in those glasses” makes me knowledgable.

Either way, I think we’ve crafted an interesting relationship. One that will happen once a week, growing into each other and our uniqueness.

Posted on

Good Things #25: The Season of Waiting

Because this is the truth: if we were perfectly put together; if the world wasn’t full of disappointments and betrayals; if we didn’t spend weeks and weeks waiting for someone to stop hurting us…if we weren’t having our hearts broken right and left by this broken world – we wouldn’t need a savior. –Lindsay

I got this in my inbox this Sunday and it was oddly positioned to hit me at the worst (best?) moment possible.

Waiting is often harder than I expect. I can be quite good at it…when I am absolutely sure what I am waiting for. I can wait for 70% dark chocolate when I know I have some at my house instead of pounding back the milk variety at work. I can wait to get gas at Prime because I know it’ll be a good ten cents cheaper.

I’m even pretty good at waiting for Christmas, because I know that on that day my whole family will be here and the food will be amazing and hopefully this year it’ll be white.

But I haven’t been so good at waiting for other things.

Advent, the season of waiting. I pretend to listen for truth, but mostly I like my ears tickled.

What’s that? I don’t have to be kind? Yes! I knew it.

I can take that thing from that person because they don’t need whatever it is as much as I do.

And my favorite: I’ve got it all figured out.

This season of Advent, I’ve been re-realizing that I do not have it all figured out. To be honest, those moments of AHA! are rare, but I could feel myself settling into them nonetheless. My second year teaching, my junior year of adulthood, and surrounded by people I love.

But this Advent things have been topsy-turvy and un-beautiful and not quite as I want them.

What promises are true?

What am I waiting for again? LIke I wrote in this essay on sex and waiting, I’m not always sure. And it’s not only sex, it’s every good and perfect gift. Maybe I’ll own a cozy home with farm-like qualities one day. Maybe I won’t. Maybe I’ll want to pull my hair out over my children’s myriad annoyances, or maybe I’ll never have children, and I’ll pour myself into my church and my community.

It’s not as easy as it has been, this waiting, especially because I’m not sure what’s coming.

But they who wait for the Lord shall renew their strength; they shall mount up with wings like eagles; they shall run and not be weary; they shall walk and not faint. – Isaiah 40:31

The truth is, I’m pretty weary, and try as I might to squash this inner anger, I can’t seem to.

So what is this Good Thing #25, anyway? Cause it all seems a little bit less than good to me.

The Good Thing is this:

My mother saying, “It hurts, time passes, and good things happen.”

This is what I cling to. Time passes, good things happen. Even though I still try to shape what those things look like, I’m given renewed faith.

We do not know how to praise God because we do not know all that He has saved us from.

I look back at past relationships, and only now can I say Thank you. Only now do I see our butting heads, our squirming with uncertainty and un-compatibleness, the un-meeting of our strengths.

I don’t know all He has saved me from, but I rejoice. And I wait.

Posted on

The World by Alexandria

When I first watched The Fall it was October of 2011 and I was sitting in an upstairs apartment in the dark. My friends had recommended it highly and they sat next to me, across from me, eyes glued to the television. It was beautiful – the red sharp against the desert sand, the ocean a deep tropical blue-green, the feeling of a huge block of ice melting on your tongue.

My reaction to this movie is visceral. I’d rather not try to paraphrase it here – a string of words that means nothing if you haven’t seen it for yourself – but every time I watch the six-year-old Alexandria discover (yet again) that life is not perfect, that evil happens, and that people make the wrong choices every day, I am thrown into a pair of worn-out mary-janes and shocked by the very same things Alexandria cannot accept. The tears pouring down the rounded contours of her cheeks dampen the navy sweatshirt I’m wearing every time.

I watched The Fall again last week. I should’ve warned my friend how I react because I think it was surprising. What strikes me is that I’m not even sure the director or writer intend for me to view their film the way I do. God wasn’t in the picture for them, most likely, but that is what I see.

fall

 

As Roy tells Alexandria the fantastical story of bandits and adventure, he manipulates. He twists the story for his needs. He shakes morphine pills out of a plot line and uses a little girl’s devotion to alleviate his suffering. In the end, as he’s realizing the futility of his own life, he begins to destroy the world he’s built, and as each of the beloved characters dies, Alexandria becomes more and more outraged. Deeply angry, deeply sad, she cries out to him in both the story and real-life,

“This is my story too!”

the fall

She weeps for her friends in this false-reality, but I think she is also weeping for herself. For Roy and his brokenness. For her dead father. For all the things that happened but shouldn’t have, and for all the things that should’ve happened but never did.

All I can think as I am re-immersed in this story is that Alexandria is not alone in her sadness, her anger. When God watches what we’ve chosen, He feels something akin to it, I think.

This is not the way the world is supposed to be. I feel this way when I watch movies like The Fall, when I hear about typhoons in the Philippines, when I read about another gunman.

I feel this when I (yet again) choose comfort and ease over helping another. When I watch students I care about spiral down a path that can only lead to more wrong choices. When I try to love and can’t. When I remember the death of a boy I knew, a boy whose grin is still bright in my mind.

fall2

I know that this might not be what the artists had in mind when they made The Fall. That’s the beauty of art, though, the grappling and insight that comes even when you don’t expect it. I’m grateful for the beauty they created, for the suffering they show, and for the reaction of a little girl who speaks for me in ways I’m not always able.

Posted on

Athena and Poetry

I bought myself an owl necklace a few days ago. It has a long chain and pearls for eyes. He sits perched on a little swing, his body round and his nose pointy.

I bought it for an Athena costume because the owl is the symbol of wisdom, and Athena is the goddess of all things wise. It’s no coincidence that the goddess of wisdom is also the goddess of the arts: painting, drawing, writing, singing, they all mingle in her power.

I’ve worn it a few times now, always expecting to put on something else – something a little more normal, a little more traditionally me – but each time I reach for this odd gold owl. I like that when I talk, I can hold it, and I like the way it feels in my hand.

~     ~     ~

I taught my first poetry class to a room of adults, and I wondered What am I doing? but instead I said, Here, read this Ted Kooser poem about loss and brokenness, and let me define “imagery” and “diction” and “personification”. And please, pretend you’re in eighth grade and this is all new to you. Thanks.

I tried to present poetry like the mysterious gift that it is. What is imagery? You tell me. What do you see, taste, touch, hear, smell? What do you feel, and how does the poet make you feel that? What does Kooser do that other poets do not? Can you create your own images? Can you reshape this to be yours?

This is the work of poetry. This is the distilling of moments.

~     ~     ~

I slipped the long chain over my head as I got dressed in the dark. My first poetry lesson would be in roughly two hours. My first attempt at teaching this thing I have come to love would be over in roughly two hours and twenty-five minutes.

The owl swung down on its perch, its pearly eyes wide.

[Photo: Farid Fleifel.]

Posted on

Dubus on Writing

In the cozy light of candles, I picked up “Poets and Writers” hoping to be inspired. It’s been too long since I wrote anything of consequence (and by consequence, I guess I mean fiction, which is a lie of its own kind).

I read of Elizabeth Gilbert’s success after Eat, Pray, Love, and who could imagine such response to a memoir? But it wasn’t there I found it.

It was later, reading about Andre Dubus, III, wondering who this Massachusetts-writer was, the title of his first great success – House of Sand and Fog – like an old friend, even though I’ve never read it. Teaching English at U-Mass Amherst, struggling with who the world thinks he is and who he actually is. And then he says it,

We can’t choose what haunts us.

Six words later and relief washes over me.

I’ve been trying to escape these hauntings my whole life. Over and over in college, my fiction felt stunted and half-baked, the starts of goodness, maybe, but the shortened ends of a truth not fully told. And my greatest fear in fiction? Dani Shapiro said it in her post on writing and being, “Was my subject myself?”

That’s why nonfiction has felt like such a defeat. I write nonfiction because I can’t get myself out of my fiction, so what is left to do? The summer I was twenty-one, I interned at a large publishing house in Boston, and once in a while I got to have lunch with employees gracious enough to interact with my eagerness. I picked their brains, my notebook covered in their scrawling answers. At one of these luncheons, I spoke with a recently published writer. She wrote a YA novel, we shared the same name, and I felt a natural kinship with her for these reasons.

“But, I can’t get myself out of my writing,” I said, hoping she’d have some magic cure.

“You can’t worry about that,” she said brusquely. “You’ll never do it.”

And she’s right.

We can’t choose what haunts us.

I write poems that surprise me. I write essays that shock me. Until I stop viewing nonfiction as second-class, somehow less of an art form, I will never be able to create what needs creating. I root for my friends whose plot lines fill their brains and seem to write themselves; these friends are haunted by characters, stories they’ve never lived, ideas and questions that map themselves out in imagination. From this vantage point, I will never be that writer. This is not to say I’ll never write a lick of fiction again. It is to say that my expectations of myself are changing.

I can’t choose what haunts me, but I can write the hauntings. I guess that’s all I can do.

Posted on

What Do You Want Your Story to Be?

I was addicted to stories. I devoured them, one after the other, bending and folding paperbacks with abandon, dog-earring corners, underlining words that were beautiful, words that were true. Young heroines like Emily of New Moon and Betsy from the Betsy-Tacy books taught me how to be spunky and creative. It wasn’t long before I was weaving plots for hours on a 1995 Gateway computer in my bedroom.

I remember wanting other kinds of stories, too. Sitting at the dinner table long after all the food was eaten, we’d beg my father to tell us stories about his childhood. (My mother’d always shake her head when we asked her, saying she didn’t have any stories. I still find this hard to believe.) Dad’s stories often involved fish, foolish things my dad had tried because he was “curious.” The time when he was three and took the goldfish out of the tank “to look at it” is a classic; I can still picture the poor thing gasping on the living room carpet, the victim of an over-active mind and not quite enough supervision.

My mother’s friend from college told us good stories, too. I remember most the one of her throwing cherry tomatoes over the railing and hitting guests. Oh, and the one with blood-engorged ticks (who could erase that memory?!). And the one when the dog ate rising bread dough and its stomach rose with it, waddling proof that dogs do not know what’s best for them.

I grew up on stories.

The voices brought people alive, my great-great-grandfather and his stern Maine-ness. My grandpa whom I’d known but only awhile, breathed again when we talked about his stories of growing up on a fox farm. As I listened and began to craft stories of my own, I realized that one day, I too would have stories to tell my children.

Chatham

What do you want your story to be?

[He asks from the pulpit, and I think, I’ve been thinking about this all along.]

When you write your story, think about how it affects others.

When you write your story, make it one you want to tell.

This is the one sentence that rang through the sanctuary, hanging in the air, making the skin on my arms prickle with its truth.

Even though I’ve discovered the repercussions of writing a life before living it, here I was reminded that sometimes we need to shape the life we’re given. Yes, things happen beyond our control, and yes, sometimes we ache from those uncontrollables. But more often than not, we have choice.

I get to choose what story I’m living, and I get to make it one I want to tell.

~     ~     ~

I will tell about early Christmas mornings, all four of us huddling in one bedroom because we wanted to share it that one day. The lights from the tree bouncing off the mirror in the hallway. About waiting for the cousins to come and longing for the day to never end. They will ask where our traditions come from, and I’ll smile and tell them the story.

I will tell about riding horses in the sun and feeling powerful.

I will tell about discovering Laura Ingalls for the first time, about raising chickens and gardening, the plethora of projects done in the name of sustainable living.

I will tell about late-night summer man-hunts when hormones ran rampant and we didn’t know what to do with them so we ran, too.

I will tell about choosing a college and not being sure but doing it anyway. I will tell about loneliness and fear, about trying hard and singing hard and learning. They will ask about friends and making friends, about trying to love. I’ll tell about walks around the pond where so much got twisted around and sorted out.

I will tell about graduating and reeling in my own mind. About disappointments and mis-steps that, while not destroying definitely left me feeling useless. About dark months in winter when I was learning to trust and hating every minute of it.

redsox

And my most recent stories? They’ll include the discovery of joy. The summer we all lived at home again and spent our evenings on the back porch. Riding with the top down in my car, fearing the day when I’ll have to say goodbye to this lovely little bug that’s taken me so many places. Finding a church that allows me to be the silly, too-immature-for-small-group girl I sometimes am. Growing in friendships that have challenged me, shaped me, and made me think deeper than I ever could have thought on my own.

My story isn’t done, but I finally feel like I am choosing it.